In Discorrelated Images, Shane Denson examines the ways in which computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema. Denson analyzes works ranging from the Transformers series and Blade Runner 2049 to videogames and multimedia installations to show how what he call...(展开全部)

This text explores the large body of sculpture, paintings and other religious imagery produced for China's common classes from the third to the sixth centuries CE. In contrast to the works made for imperial patrons, illustrious monastics, or other luminaries, these ordinary images - modest in scale, mass-produced, and at times incomplete - were created for those of lesser stand...(展开全部)

Since 2002, Sze Tsung Leong has been photographing the dramatic changes that are transforming the cities of China, revealing a process that begins with the destruction of traditional neighborhoods and ends in the mass construction of new urban environments. He travels with a large-format view camera, visiting cities including Beijing, Shanghai, Chongqing, Nanjing, Pingyao and X...(展开全部)

Since 2002, Sze Tsung Leong has been photographing the dramatic changes that are transforming the cities of China, revealing a process that begins with the destruction of traditional neighborhoods and ends in the mass construction of new urban environments. He travels with a large-format view camera, visiting cities including Beijing, Shanghai, Chongqing, Nanjing, Pingyao and X...(展开全部)

This text explores the large body of sculpture, paintings and other religious imagery produced for China's common classes from the third to the sixth centuries CE. In contrast to the works made for imperial patrons, illustrious monastics, or other luminaries, these ordinary images - modest in scale, mass-produced, and at times incomplete - were created for those of lesser stand...(展开全部)

作者简介： 罗纳德•戴维斯，美国南卫理公会大学名誉教授。著有：《魅力工厂：好莱坞大制片制度揭秘》等。

作者简介： 罗纳德•戴维斯，美国南卫理公会大学名誉教授。著有：《魅力工厂：好莱坞大制片制度揭秘》等。

Présentation de l'éditeur " Le moderne dédaigne d'imaginer " disait Mallarmé. Poètes, peintres, dramaturges ou ingénieurs voulaient alors mettre l'union de la forme et de l'acte à la place de la vieille dualité de la réalité et de l'image. La vie en eût été révolutionnée. Nos contemporains ne croient plus en la révolution et chantent à nouveau, fût-ce au passé, le culte de l'im...(展开全部)